The James Purdy Society
[Culled and Assembled from
no respect, no empathy for other people; they have no sense of who other people
are. There's a kind of withering away of the human sensibility, and this leads
to the collapse of just about everything.
is concerned with the soul, with the unknown forces of the psyche. A British
writer said I write under the skin, which I liked. In a spiritual sense, the
real life of man is going on inside. It's not what he says or does, it's
something else. The only way, I think, one can get in touch with that is in
dreams, either sleeping or waking...not a trance like stage, but going beyond
the conscious. I think maybe that distinguishes the two kinds of writing: there
is the muse kind and the journalistic kind. I feel that the stories and subjects
"come" to me, because when I try to seek them, they elude me. Consequently, I
don't write for anyone. I write for the soul. If you really tell yourself the
truth, you've told everyone. This doesn't come easily at all. It's all a
matter of psychic energy, of getting in touch with what you're looking for.
There are times, however, when I sit and write, and there's nothing there,
nothing comes. And I only see myself as a receptacle up to a point, as
sometimes the story comes out partially formed. Then the really muscular
work begins. The sledgehammer work. After the "voices" have told you, you
have to hammer it into a shape that's intelligible--first to yourself and then
to others. Technique is constant practice and a kind of bleeding inside. It's
agony really because the body resists the soul. It doesn't want to be tortured
by putting some things down on paper.
My writing is both realistic and symbolic. The outer texture is realistic, but
the actual story has a symbolic, almost mythic quality. The characters are
being moved by forces, which they don't understand. I'm really writing about
something rather ancient that predates Christianity and Judaism. A friend calls
it archetypal. Though my stories are really American myths and the language and
characters are very American, they are not only about America. They just happen
to take place here.
I usually write about a person in crisis, because that's the time we tell the
truth. They say "in vino veritas", but for me it's the crisis when someone
tells the truth. The people in my work discover the truth about themselves.
They're liberated from false illusions. In all my writing there is a final
self-revelation which all of us try to avoid.
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