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Chapters and Other Extended Treatments in Books:

 

Allen, Mary Inez.  "The Terrified Women of Joyce Carol Oates."  The Necessary Blankness: Women in Major American Fiction of the Sixties.  Urbana, IL: U of Illinois P, 1976.  133-159.  Reprinted In: Bloom, Harold, ed.  Modern Critical Views: Joyce Carol Oates.  New York: Chelsea House, 1987.

Bevilacqua, Winifred Farrant.  "'All of Detroit Is Melodrama':  Joyce Carol Oates' them."  La citta delle donne: Immaginario urbana e letteratura del Novecento.  Ed. Oriana Palusci. Turin, Italy: Tirrenia, 1992.  12-139.

Bonds, Diane S.  "Joyce Carol Oates: Testing the Lawrentian Hypothesis."  D.H. Lawrence's Literary Inheritors.  Ed. Keith Cushman and Dennis Jackson.  New York: St. Martin's, 1991.  167-187.

Cologne-Brookes, Gavin.  "Disclosing the Closure: Endings in the Recent Novels of Joyce Carol Oates."  The Insular Dream: Obsession and Resistance.  Ed. Kristiaan Versluys.  Amsterdam, Netherlands: VU U P, 1995.  335-341.

Cornillon, Susan Koppelman.  "The Fiction of Fiction."  Images of Women in Fiction: Feminist Perspectives.  Ed. Susan Koppelman Cornillon.  Bowling Green, OH: Bowling Green State U P/Popular P, 1972.  117-124.

Cunningham, Frank R.  "Joyce Carol Oates: The Enclosure of Identity in the Earlier Stories."  American Women Writing Fiction: Memory, Identity, Family, Space.  Ed. Mickey Pearlman.  Lexington, KY: U  P of Kentucky, 1989.  9-28.

Daly, Brenda O.  "The Central Nervous System of America: The Writer in/as the Crowd of Joyce Carol Oates's Wonderland."  Feminism, Bakhtin, and the Dialogic.  Ed. Dale M. Bauer and Susan Jaret McKinstry.  Albany, NY: SUNY P, 1991.  155-180.

---.  "'How Do We (Not) Become These People Who Victimize Us?': Anxious Authorship in the Early Fiction of Joyce Carol Oates."  Anxious Power: Reading, Writing, and Ambivalence in Narrative by Women.  Ed. Carol J. Singley and Susan Elizabeth Sweeney.  Albany, NY: SUNY P, 1993.  235-252.

---.  "Misogynist Reviewers: Tiny Gunmen Take Shots at That Siren, Joyce Carol Oates."  Misogyny in Literature.  Ed. Katherine Ackley.  New York: Garland, 1992.  265-287.

---.  "My Friend, Joyce Carol Oates."  The Intimate Critique: Autobiographical Literary Criticism.  Ed. Diane P. Freedman, Olivia Frey, and Frances Murphy Zauhar.  Durham, NC: Duke UP, 1993.  163-173.

---.  "Where Is She Going, Where Are We Going, at Century's End?  The Girl as Site of Cultural Conflict in Joyce Carol Oates's 'The Model.'"  The Girl: Construction of the Girl in Contemporary Fiction by Women.  Ed. Ruth O. Saxton.  New York: St. Martin's, 1998.  1-19.

Dorfel, Hanspeter.  "Images of Germany and the Germans in Some of Joyce Carol Oates' Short Stories."  Germany and German Thought in American Literature and Cultural Criticism.  Ed. Peter Freese.  Essen, Germany: Blaue Eule, 1990.  267-284.

Engler, Bernd.  "History as Fairytale: Appropriations of European History in Joyce Carol Oates's 'Ich bin ein Berliner.'"  Re-Visioning the Past: Historical Self-Reflexivity in American Short Fiction.  Ed. Bernd Engler.  Trier, Germany: Wissenschaftlicher, 1998.  267-283.

Floyd, Kevin.  "Deconstructing Masochism in Kathy Acker's Blood and Guts in High School and Joyce Carol Oates's You Must Remember This."  Critical Studies on the Feminist Subject.  Ed. Giovanna Covi.  Trento, Italy: Dipartimento di Scienze Filologiche e Stroiche, Universita degli Studi di Trento, 1997.  57-77.

Friedman, Melvin J., and Ben Siegel, ed.  Traditions, Voices, and Dreams: The American Novel since the 1960s.  U of Delaware P, 1995.

Goetsch, Paul.  "Joyce Carol Oates, 'How I Contemplated the World from the Detroit House of Correction and Began My Life Over Again.'"  The Vision of This Land: Studies of Vachel Lindsay, Edgar Lee masters, and Carl Sandburg.  Ed. John E. Hallwas and Dennis J. Reader.  Macomb, IL: Western Illinois U P, 1976.  301-313.  Also Published In: Die amerikanische Short Story der Gegenwart: Interpretationen.  Ed. Peter Freese.  Berlin: Schmidt, 1976.  301-313.

Karl, Frederick R.  American Fictions 1940-1980.  New York: Harper, 1983.  298-302, 420-421, 546-49.

Kazin, Alfred.  "Cassandras: Porter to Oates."  Bright Book of Life: American Novelists and Storytellers from Hemingway to Mailer.  Boston: Little, 1973.  198-205.  Reprinted In: Wagner, Linda M., ed.  Critical Essays on Joyce Carol Oates.  Boston: G.K. Hall, 1979. 157-160.

Loeb, Monica.  "Hieros Gamos, Analysis of a Short Story by Joyce Carol Oates."  Vitterhetsnojen, Festschrift for Magnus von Paten.  Umea: Umea Universitet, 1980.  289-294.

Madden, David.  "The Violent World of Joyce Carol Oates."  Short Fiction  4(Summer 1967):  369-373.  Reprinted In: Wagner, Linda W.  Critical Essays on Joyce Carol Oates.  Boston: G.K. Hall, 1979. 6-10; Madden, David.  The Poetic Image in Six Genres.  Carbondale, IL: Southern Illinois U P, 1969.  26-46.

Manske, Eva.  "The Nightmare of Reality: Gothic Fantasies and Psychological Realism in the Fiction of Joyce Carol Oates."  Neo_realism in Contemporary American Fiction.  Ed. Kristiann Versluys.  Amsterdam, Netherlands: Rodopi, 1992.  131-143.

Mickelson, Anne Z.  "Sexual Love in the Fiction of Joyce Carol Oates."  Reaching Out: Sensitivity and Order in Recent American Fiction by Women.  Ed. Anne Z. Mickelson.  Metuchen, NJ: Scarecrow, 1979.  15-34.

Napierkowski, Marie Rose, and Deborah A. Stanley, eds.  "Joyce Carol Oates: them."  Novels for Students.  Farmington Hills, MI: Gale, 2000.

Nodelman, Perry.  "The Sense of Unending: Joyce Carol Oates's Bellefleur as an Experiment in Feminine Storytelling."  Breaking the Sequence: Women's Experimental Fiction.  Ed. Ellen G. Friedman and Miriam Fuchs.  Princeton, NJ: Princeton U P, 1989.  250-264.

Peden, William.  The American Short Story: Continuity and Change 1940-1975.  Boston: Houghton, 1975.  88-97.

Pinsker, Sanford.  "Isaac Bashevis Singer and Joyce Carol Oates: Some Versions of Gothic."  Between Two Worlds: The American Novel of the 1960's.  Troy, NY: Whitston, 1980.  115-127.  Reprinted From: Southern Review  9(Autumn 1973):  895-908.

Rozga, Margaret.  "Joyce Carol Oates: Reimagining the Masters: Or, a Woman's Place in Her Own Fiction."  American Women Short Story Writers: A Collection of Critical Essays.  Ed. Julie Brown.  New York: Garland, 1995.  281-294.

Saalmann, Dieter.  "A Deconstructive Approach to the Berlin Wall: Joyce Carol Oates's 'Berlin Stories.'"  The Berlin Wall: Representations and Perspectives.  Ed.  Ernst Schurer, Manfred Keune, and Philip Jenkins.  New York: Peter Lang, 1996.  170-180.

Showalter, Elaine.  "Joyce Carol Oates's 'The Dead' and Feminist Criticism."  Faith of a (Woman) Writer.  Ed. Alice Kessler-Harris and William McBrien.  Westport, CT: Greenwood, 1988.  13-19.

Soricelli, Rhonda L., and David H. Flood.  "(Un)Professional Relationships in the Gendered Maze of Medicine."  Teaching Literature and Medicine.  Ed. Anne Hunsaker Hawkins and Marilyn Chandler McEntyre.  New York: Modern Language Association, 2000. 344-352.

Spengnether, Madelon.  "(M)other Eve: Some Revisions of the Fall in Fiction by Contemporary Women Writers."  Feminism and Psychoanalysis.  Ed. Richard Feldstein and Judith Roof.  Ithaca, NY: Cornell U P, 1989.  298-322.

Steiner, Dorothea.  "'Daisy": Woman as Oatesian Prototype and Persona."  Die englische und amerikanische Kurzgeschichte.  Ed. Hans Bungert.  Darmstadt, Germany:  Wissenschaftliche Buchgesellschaft.

Stevick, Philip.  "Remembering, Knowing, and Telling in Joyce Carol Oates."  The Process of Fiction.  Ed. Barbara McKenzie.  New York: Harcourt, 1974.  490-499.

Summer, Rebecca.  "Smoothing Out the Rough Spots: The Film Adaptation of 'Where Are You Going, Where Have You Been?'"  Vision/Revision: Adapting Contemporary American Fiction by Women to Film.  Ed. Barbara Tepa Lupack.  Bowling Green, OH: Popular, 1996.  85-100.

Trachtenberg, Stanley. "Desire, Hypocrisy, and Ambition in Academe: Joyce Carol Oates's 'The Hungry Ghosts.'"  The American Writer and the University.  Ed. Ben Siegel.  Newark, DE: U of elaware P, 1989.  39-53.

Wagner-Martin, Linda.  "Panoramic, Unpredictable, and Human: Joyce Carol Oates's Recent Novels."  Traditions, Voices, and Dreams: The American Novel since the 1960s.  Ed. Melvin J. Friedman and Ben Siegel.  Newark, DE: U of Delaware P, 1995.  196-209.

Worthington-Smith, Hammett.  "Religious Dimensions in because It Is Bitter, and because It Is My Heart."  Proceedings: Northeast Regional Meeting of the Conference on Christianity and Literature.  Ed. Joan F. Hallisey and Mary-Anne Vetterling.   Weston, MA: Regis College, 1996.  133-137.

Zviniatskovsky, Vladimir.  "Two Ladies with Two Dogs and Two Gentlemen: Joyce Carol Oates and Chekhov."  Chekhov Then and Now: The Reception of Chekhov in World Culture.  Ed. J. Douglas Clayton.  New York: Peter Lang, 1997.  125-136.

 

Incomplete Entries

Krementz, Jill.  The Writer's Desk

The Reference Guide to Short Fiction.

Showalter, Elaine.  Sister's Choice.  1991.

 

 

 

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