Keep
in mind the following is an example of a minitheme on the film The Matrix. When writing minithemes for a written text,
you must use PAGE NUMBERS & WORD-FOR-WORD QUOTATIONS to
support your argument.
Name: John Jacob Jingleheimer Schmidt
Date: January 1, 2002
Title: "Neo's Evolution: Mirrors, Death,
and Growth in The Matrix"
Thesis
The
Matrix is preoccupied with how mirrors appear to signal growth
in Neo's life. One sees mirrors, or mirrored surfaces, on:
Textual Support
[1] Morpheus's sunglasses. Morpheus is the only one who wears
"mirrorshades." The Agents wear a more common variety
of sunglasses that are not mirrored.
[2] The pill case that Morpheus twirls in his hand during his
and Neo's first meeting.
[3] The spoon at the Oracle's apartment. Later Neo states, "There
is no spoon," as he and Trinity begin their attack on
the Agents.
[4] The doorknob on the Oracle's door.
[5] The mirror following Neo's ingestion of the red pill.
Commentary & Interpretation
What
is clear about all these instances is that they go hand in hand
with steps in Neo's evolution from nihilism. At each point that
we see a mirror, we see Neo make a choice, accept a challenge,
and take a position. This taking a position slowly weans him
away from his state of nihilism. When Neo accepts the red pill,
he is faced with the shiny pill case and Morpheus's glasses.
Much of the film is taken up with a series of tests: Neo fighting
Morpheus, jumping from a building, or taking on the Agents.
In the background or foreground of all of these actions are
Morpheus and his glasses. Incidentally, most of these tests
involve death. It is as if Neo has to face death to change.
In a sense, the entire film, by portraying the environmental
disaster from humanity's creation of dangerous machines (AIs),
is trying to make us face death. And, by facing death, we will
take action and leave our nihilism behind.
Questions & Suggestions for Further Discussion
Two
suggestions: [1] The mirror symbolizes Neo's need to be introspective,
to rethink who he is. This need leads to his evolution away
from nihilism towards Belief and is driven by his constant facing
of death. [2] All of the mirrors in the film are external and
fixed to more mature or enlightened individuals. Perhaps their
maturity in some way is what leads to a reevaluation of Neo's
own life; he considers himself in light of them and doesn't
like what he sees. |