Barzun, Jacques. Classic, Romantic, and Modern. Boston: Little, 
    Brown, and Company, 1961.

Boime, Albert.  The Academy and French Painting in the Nineteenth 
    Century.  New Haven:  Yale University Press, 1986.

Boime, Albert.  Thomas Couture and the Eclectic Vision. New 
    Haven:  Yale University Press, 1980.

Brettell, Richard R. et. al.  A Day in the Country:  Impressionism 
    and the French Landscape.  Exhibition catalogue.  Los Angeles: 
    Los Angeles County Museum of Art, 1984.

Canady, John.  Mainstreams of Modern Art.  New York:  Holt, 
    Rinehart, and Winston, 1959.

Grenville, J.A.S.  Europe Reshaped.  Ithaca, New York:  Yale 
    University Press, 1976.

Hemmings, F.W.J.  Culture and Society in France:  1848-1898: 
    Dissidents and Philistines.  London:  B.T. Batsford, 1971.

Janson, H.W. and Rosenblum, Robert.  Nineteenth-Century Art. New 
    York:  Harry N. Abrams, 1984.

Nochlin, Linda.  Realism.  New York:  Penguin Books, 1971.

Plessis, Alain.  The Rise and Fall of the Second Empire, 1852-
    1871. Translated by Jonathan Mandelbaum.  Cambridge: 
    University Press, 1985.

Poole, Phoebe.  Impressionism.  London:  Thames and Hudson, 1967.

Rosen, Charles and Zerner, Henri.  Romanticism and Realism. New 
    York:  The Viking Press, 1984.

Schenk, H.G.  The Mind of the European Romantics:  An Essay in 
    Cultural History.  Preface by Isaiah Berlin.  New York: 
    Doubleday, 1969.

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