The Theory and Criticism of Virtual Texts: An Annotated Bibliography. Greenwood Bibliographies and Indexes in Library and Information Science. Westport: Greenwood, 2001. With Lory Hawkes and Christina Murphy.

Biographical Passages: Essays in Victorian and Modernist Biography. Columbia: U of Missouri P, 2000. Ed. with Linda K. Hughes.

Writing Centers: An Annotated Bibliography. Greenwood Bibliographies and Indexes in Education. Westport: Greenwood, 1996. With Christina Murphy and Steve Sherwood. Winner, Outstanding Scholarship Award, National Writing Centers Association, 1997.

Landmark Essays on Writing Centers. Davis: Hermagoras, 1995. Ed. with Christina Murphy. Winner, Outstanding Scholarship Award, National Writing Centers Association, 1996.

"How International Students Can Benefit From a Web-Based College Orientation." Internationalizing Higher Education. Ed. Beth Carmichael and Bruce W. Speck. New Directions for Higher Education. San Francisco: Jossey-Bass, 2002 (forthcoming). With Christina Murphy and Lory Hawkes.

"The Disappearing Writing Center Within the Disappearing Academy: The Challenges and Consequences of Outsourcing in the Twenty-First Century." The Politics of Writing Centers. Ed. Jane Nelson and Kathy Evertz. Portsmouth: Boynton/Cook-Heinemann, 2001. 133-45. With Christina Murphy.

"The Writing Center and the Politics of Separation: The Writing Process Movement's Dubious Legacy." Reforming College Composition: Writing the Wrongs. Ed. Ray Wallace, Alan Jackson, and Susan Lewis. Contributions to the Study of Education 79. Westport: Greenwood, 2000. 65-75. With Christina Murphy.

"Writing Centers and WAC Programs as Infostructures: Relocating Practice Within Futurist Theories of Social Change." The Interdisciplinary Partnership: Writing Centers and Writing Across the Curriculum Programs. Ed. Jacob Blumner and Robert W. Barnett. Contributions to the Study of Education 73. Westport: Greenwood, 1999. 187-99. With Christina Murphy. Rpt. in The Allyn and Bacon Guide to Writing Center Theory and Practice. Ed. Robert W. Barnett and Jacob S. Blumner. Boston: Allyn, 2001. 458-71.

"Serving Faculty and Writing Across the Curriculum." The Writing Center Resource Manual. Ed. Bobbie Bayless Silk. Emmitsburg: NWCA Press, 1998. IV.4.1-10.

"Accreditation and the Writing Center: A Proposal for Action." Writing Center Perspectives. Ed. Byron L. Stay, Christina Murphy, and Eric H. Hobson. Emmitsburg: NWCA Press, 1995. 155-61.

"Toward the Condition of (Absolute) Music: Edward A. MacDowell and the Arthurian Twilight." The Arthurian Revival: Essays on Form, Tradition, and Transformation. Ed. Debra N. Mancoff. New York: Garland, 1992. 191-204.

"Formative Assessment and the Paradigms of Writing Center Practice." The Clearing House 71 (1997): 106-08. With Christina Murphy.

"Thackeray and the Sirens: Autobiographical Fiction and the ‘Talking Cure.'" CCTE Studies 59 (1994): 5-11.

"Oscar Wilde's Intentions and the Victorian Sage: The Dialogue as Counterdiscourse." CCTE Studies 58 (1993): 82-88.

"Mr. Punch Goes to the Opera: The First Decade." Victorian Periodicals Review 26 (1993): 62-67.

"Pater on Perception, Style and Revision: An Exploratory Reading." CCTE Studies 57 (1992): 14-20.

"‘I Must Get a Better Composer Somehow . . . But How?': The Early Letters and Diaries of Benjamin Britten." The Opera Quarterly 9.2 (1992): 31-51.

"‘The One Thing Needful': Biblical Allusion and the Social Gospel in Hard Times." CCTE Studies 56 (1991): 76-82.

"The Nineteenth-Century Fortunes of Falstaff: Six Transformations." Yearbook of Interdisciplinary Studies in the Fine Arts 2 (1990): 159-70.

"Assessing Transfer Students' Readiness for Writing Across the Curriculum: The Writing Center's Role." Notes from the National Testing Network in Writing March 1990: 17-18.

"The Dialogics of Operatic Adaptation: Reading Benjamin Britten." Yearbook of Interdisciplinary Studies in the Fine Arts 1 (1989): 407-27.

"Meyerbeer's Variations on a Theme by Laurence Sterne; or, Why a Goat?" The Opera Journal 22.4 (1989): 3-8.

"Thackeray and the Uses of Opera." Review of English Studies ns39 (1988): 501-12.

"Bloom, Hirsch, and Barthes in the Classroom: Negotiating Cultural Literacy." Freshman English News 17.1 (1988): 33-36.

"The Prima Donnas of Vanity Fair." CLA Journal 31 (1987/88): 87-110.

"Daring to Eat a Peach: Literary Allusion in Albert Herring." The Opera Quarterly 5.1 (1987): 1-10.

"Noises Off and the Rehearsal-Play Tradition." Performing Arts 2.10 (1986): 20+. Dallas Theater Center Edition.

"‘We Have Ventured to Tidy Up Vere': The Adapters' Dialogue in Billy Budd." Twentieth Century Literature 31 (1985): 297-314. E. M. Forster Issue.

"Linking the Past with the Present: A Conversation with Nancy Evans and Eric Crozier." Opera Quarterly 3.1 (1985): 72-79.

"Alessandro Moreschi Reconsidered: A Castrato on Records." The Opera Quarterly 2.2 (1984): 1-12.

"Reclaiming the ‘True Tenors' of Bel Canto: Some Recorded Attempts." The Opera Journal 16.3 (1983): 15-22.

"William Dyce's George Herbert at Bemerton: Its Backgrounds and Meaning." Journal of Pre-Raphaelite Studies 3.1 (1982): 45-55.

"Selected Bibliography of English-Language Literature on Richard Strauss." The Opera Quarterly 15 (1999): 625-28. Strauss Commemorative Issue.

The Allyn and Bacon Guide to MLA Documentation of Electronic Sources. Needham: Allyn, 1998. [A 25-page instructional supplement distributed with Allyn and Bacon textbooks]

International Dictionary of Opera. Ed. James Vinson. Detroit: Gale, 1993. 2 vols. Entries on W. H. Auden, Gilbert-Louis Duprez, Peter Pears, Henriette Sontag, and Cesare Valletti.

Victorian Britain: An Encyclopedia. Ed. Sally Mitchell. New York: Garland, 1988. Entries on Thomas Babington Macaulay, Alexander Mackenzie, William Mulready, Clara Novello, C. H. H. Parry, Popular Songs and Music, and C. V. Stanford.

"The ‘Other' as Professional: The Ethics and Politics of Uncertainty." What Comes after Rhetoric and Composition? Issues Facing the Discipline. Fifth Annual Symposium on the Teaching of Composition. Texas Christian University, Fort Worth, Texas. 25 February 1995. With Bradley Peters.

"Tidying Vere and Hearing Melville: Benjamin Britten's Billy Budd." Benjamin Britten Festival. University of Maryland, College Park, Maryland. 19-22 November 1993.

"Network Profiles: Statewide and State-to-Regional Models of Virtual Collaboration." Conference on College Composition and Communication (CCCC). Fifty-second Annual Convention. Denver. 14-17 Mar. 2001.

"Where Are the Tutors in the Writing Center Assessment?" Fifth National Writing Centers Conference. Baltimore. 2-4 Nov. 2000.

"The Nature of the Politicized Classroom: Curriculum, Accountability, and ‘Local Control.'" Conference on College Composition and Communication (CCCC). Fifty-first Annual Convention. Minneapolis. 13-16 Apr. 2000.

"Breaking the Codes, Breaking the Boundaries: Using ‘Great Books' to Foster Critical Thinking in Other Disciplines." Fourth National Writing Across the Curriculum Conference. Cornell University, Ithaca. 3-5 June 1999.

"(Re)Shaping the Profession: Graduate Courses in Writing Center Theory and Practice." Fourth National Writing Centers Conference. Bloomington. 15-17 Apr. 1999.

"Outsourcing Writing Across the Curriculum: The Attractions and the Dangers." Conference on College Composition and Communication (CCCC). Fiftieth Annual Convention. Atlanta. 24-27 Mar. 1999.

"Writing Across the Curriculum and Cultural Studies." National Conference of Teachers of English. Eighty-eighth Annual Convention. Nashville. 19-24 Nov. 1998.

"Starting New: Using Assessment to Shape and Promote a WAC Program." Conference on College Composition and Communication (CCCC). Forty-ninth Annual Convention. Chicago. 1-4 Apr. 1998.

"‘It Seems Built to Music': The Musical Structure of Oscar Wilde's Salomé." Modern Language Association. Annual Convention. Toronto. 27-30 Dec. 1997.

"The Role of Writing Programs in the Future of English Studies." Beyond Here There Be Dragons: Navigating Unexplored Territories in English Studies. Ball State University. Muncie. 24 Oct. 1997. With Christina Murphy.

"Doing It By the Book: A Writing Center/WAC Partnership." Third National Writing Centers Association Conference. Park City. 18-20 Sept. 1997.

"Just the Facts: Reporting the Job Crisis in Academe." Conference on College Composition and Communication (CCCC). Forty-eighth Annual Convention. Phoenix. 12-15 Mar. 1997.

"Human Willfulness and the Mythic Dimension of Opera: Carlisle Floyd's Willie Stark." Modern Language Association. Annual Convention. Washington, DC. 27-30 Dec. 1996.

"Apprenticed to the Patriarchy? Critiquing the Legacy of Apprenticeship Learning." Conference on College Composition and Communication (CCCC). Forty-seventh Annual Convention. Milwaukee. 27-30 Mar. 1996.

"Tutoring Graduate Students in the Writing Center: Three Models of Interaction." South Central Writing Centers Association. University of Texas. Austin. 1-2 Mar. 1996.

"Historicizing the Writing Center: What Fifty Years of Writing Center Scholarship Have Taught Us." Second (Inter)National Writing Centers Conference. Saint Louis. 27-30 Sept. 1995. With Christina Murphy.

"New Directions in Graduate Studies: Ongoing Writing Center Tutorials as Directed Studies." Conference on College Composition and Communication (CCCC). Forty-sixth Annual Convention. Washington, DC. 22-25 Mar. 1995.

"Uncritical ‘Critical Thinking': Reexamining Current Paradigms." National Council of Teachers of English Convention. Eighty-fourth Annual Convention. Orlando. 16-21 Nov. 1994.

"The Gospel According to Jane Eyre." The Brontës: Webs of Consciousness: An International Conference. Armstrong Browning Library. Baylor University. Waco. 3-5 Nov. 1994.

"The Early Poetry of William Bell Scott: Joining the Pre-Raphaelite Circle." The Pre-Raphaelite Brotherhood and Their Circle: An International Conference. Armstrong Browning Library. Baylor University. Waco. 21-23 Apr. 1994.

"Common Concerns in Editing the Regional Journal: Reflecting and Shaping the Profession." Conference on College Composition and Communication (CCCC). Forty-fifth Annual Convention. Nashville. 16-19 Mar. 1994.

"Thackeray and the Sirens: Autobiographical Fiction and the ‘Talking Cure.'" Conference of College Teachers of English. Fifty-ninth Annual Conference. Sam Houston State University, Huntsville. 3-5 Mar. 1994. Winner, British Literature Award.

"Operatic Adaptation as Re-accentuation: The Case of Peter Grimes." Eighteenth Annual Colloquium on Modern Literature and Film: Literature and the Other Arts. West Virginia University, Morgantown Virginia. 9-11 Sept. 1993.

"Accreditation and the Writing Center: A Proposal for Action." South Central Writing Centers Association Conference. Oklahoma State University, Stillwater. 15-17 Mar. 1993.

"Oscar Wilde's Intentions and the Victorian Sage: The Dialogue as Counterdiscourse." Conference of College Teachers of English. Fifty-eighth Annual Conference. Angelo State University, San Angelo. 4-6 Mar. 1993.

"Using Evaluation as Administrative Connection: Presenting the Writing Center to Administrators." Southeastern Writing Center Association Conference. Williamsburg. 23-25 Apr. 1992.

"Pater on Perception, Style and Revision: An Exploratory Reading." Conference of College Teachers of English. Fifty-seventh Annual Conference. Amarillo College, Amarillo. 5-7 Mar. 1992. Winner, British Literature Award.

"The Writing Center: The State of the Profession." Moderator. South Central Writing Centers Association Conference. Texas Christian University, Fort Worth. 1-2 Nov. 1991.

"The Art of Literary Counterpoint: Re-examining the Analogy." Resonant Intervals: Interdisciplinary Perspectives of Music. University of Calgary. 8-12 May 1991.

"‘The One Thing Needful': Biblical Allusion and the Social Gospel in Hard Times." Conference of College Teachers of English. Fifty-sixth Annual Conference. San Antonio College, San Antonio. 18-20 Apr. 1991.

"The Writing Center and Writing Across the Curriculum: Building Communities of Writers." South Central Writing Centers Association Conference. University of Arkansas, Little Rock. 2-3 Nov. 1990.

"The Nineteenth-Century Fortunes of Falstaff: Six Transformations." International Interdisciplinary Conference on the Fine Arts of the 19th Century. Ohio University, Athens. 17-20 Oct. 1990.

"Mr. Punch Goes to the Opera." Research Society for Victorian Periodicals. Twenty-second Annual Conference. Baylor University, Waco. 13-15 Sept. 1990.

"Writing Center Theory and Practice." Respondent. Texas Association of Writing Centers. Conference of College Teachers of English. Fifty-fifth Annual Meeting. Texas A&M University, College Station. 1-3 Mar. 1990.

"Transcendent Blackness and Sadness: E. M. Forster's Operatic Vision of Claggart." American Studies Association of Texas. East Texas State University, Commerce. 16-18 Nov. 1989.

"‘Harry Ploughman' and the Body of Christ: An Exercise in Christology." Gerard Manley Hopkins Centennial Symposium. Rockhurst College, Kansas City. 19-21 Oct. 1989.

"Assessing Transfer Students' Readiness for Writing Across the Curriculum: The Writing Center's Role." Seventh Annual Conference on Writing Assessment. National Testing Network in Writing. Dawson College, Montreal. 9-11 Apr. 1989.

"Autobiographical Nostalgia as Therapy: A Recurring Image in Thackeray." South Central Modern Language Association Convention. University of Texas at Arlington. 21-23 Oct. 1988.

"Teaching the Interdisciplinary Humanities: Providing a Falstaffian Context." The Interdisciplinary Humanities: Social, Scientific, and Artistic Contexts. Association for Integrative Studies. University of Texas at Arlington. 20-22 Oct. 1988.

"Applying the Term Counterpoint to Literary Analysis: Two Approaches Reconsidered." Contexts: The Interdisciplinary Study of Literature. University of Manitoba, Winnipeg. 14-16 May 1987.

"John Claggart, From Novella to Operatic Stage." Symposium on Melville's and Britten's Billy Budd. University of Missouri-Columbia. 10 Mar. 1982.

A Season of Opera: From Orpheus to Ariadne, by M. Owen Lee. The Opera Quarterly 16 (2000): 105-08.

Benjamin Britten's Operas, by Michael Wilcox. The Opera Quarterly 15 (1999): 117-20.

"Evaluating Writing Across the Curriculum." Review of In the Long Run: A Study of Faculty in Three Writing-Across-the-Curriculum Programs, by Barbara E. Walvoord, Linda Lawrence Hunt, H. Fil Dowling, Jr., and Joan D. McMahon; Assessing Writing Across the Curriculum, ed. Kathleen Blake Yancey and Brian Huot; and Public Discourse and Academic Inquiry, by William Craig Rice. Composition Studies 26.1 (1998): 73-82.

Joyce's Grand Operoar: Opera in Finnegans Wake, by Matthew J. C. Hodgart and Ruth Bauerle. The Opera Quarterly 14.2 (1997/98): 115-19.

Opera and the Culture of Fascism, by Jeremy Tambling. The Opera Quarterly 14.2 (1997/98): 101-05.

Luciano Pavarotti: The Myth of the Tenor, by Jürgen Kesting. The Opera Quarterly 14.1 (1997): 107-11.

Opera in the Flesh: Sexuality in Operatic Performance, by Sam Abel. The Opera Quarterly 13.4 (1997): 149-53.

Opera: Disease, Desire, Death, by Linda Hutcheon and Michael Hutcheon. The Opera Quarterly 13.3 (1997): 144-47.

The Purcell Companion, ed. Michael Burden, and Purcell Remembered, ed. Michael Burden. The Opera Quarterly 13.2 (1996/97): 99-101.

The Travel Diaries of Peter Pears, 1936-1978, ed. Philip Reed, and On Mahler and Britten: Essays in Honour of Donald Mitchell on His Seventieth Birthday, ed. Philip Reed. The Opera Quarterly 12.4 (1996): 104-07.

Stravinsky: Chronicle of a Friendship, rev. and exp. ed., by Robert Craft. The Opera Quarterly 12.4 (1996): 92-95.

Britten's A Midsummer Night's Dream: Making an Opera from Shakespeare's Comedy, by William H. L. Godsalve. The Opera Quarterly 12.3 (1996): 89-91.

The Private Eye: Looking/Thinking by Analogy, by Kerry Ruef. English in Texas 27.1 (1995): 56.

Modest Musorgsky and Boris Godunov: Myths, Realities, Reconsiderations, by Caryl Emerson and Robert William Oldani. The Opera Quarterly 12.2 (1995/96): 103-07.

Shostakovich: A Life Remembered, by Elizabeth Wilson. The Opera Quarterly 12.1 (1995): 148-50.

The Complete Works of W. H. Auden: Libretti and Other Dramatic Writings 1939-1973, ed. Edward Mendelson. The Opera Quarterly 11.4 (1995): 107-11.

Opera as Dramatic Poetry, by Wallace Dace. The Opera Quarterly 11.3 (1995): 144-46.

Benjamin Britten: A Biography, by Humphrey Carpenter, and Benjamin Britten: Billy Budd, Cambridge Opera Handbook, ed. Marvyn Cooke and Philip Reed. The Opera Quarterly 10.4 (1994): 108-12.

I Am the Secret: The Richter Manuscript, by Myron David Ball. Studies in Psychoanalytic Theory 3.2 (1994): 108-09.

Elements of Argument, by Annette T. Rottenberg, and The Structure of Argument, by Annette T. Rottenberg. Composition Studies/Freshman English News 22.1 (1994): 121-22.

Exploring Literature: A Collaborative Approach, by Kathleen Shine Cain, Albert C. DeCiccio, and Michael J. Rossi. Composition Studies/Freshman English News 21.2 (1993): 104-05.

Men's Silences: Predicaments in Masculinity, by Jonathan Rutherford. Studies in Psychoanalytic Theory 2.2 (1993): 114-17.

The Angel's Cry: Beyond the Pleasure Principle in Opera, by Michel Poizat, and The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire, by Wayne Koestenbaum. Studies in Psychoanalytic Theory 2.2 (1993): 109-12.

Beyond the Culture Wars: How Teaching the Conflicts Can Revitalize American Education, by Gerald Graff. Composition Studies/Freshman English News 21.1 (1993): 114-16.

Beginning Writing Groups, by Connie J. Hale, Tim Mallon, and Susan Wyche-Smith. Composition Studies/Freshman English News 20.2 (1992): 121-22.

Teacher as Writer: Entering the Professional Conversation, ed. Karin L. Dahl. Composition Studies/Freshman English News 20.2 (1992): 104-05.

(Inter)views: Cross-Disciplinary Perspectives on Rhetoric and Literacy, ed. Gary A. Olson and Irene Gale. Composition Studies/Freshman English News 20.1 (1992): 99-100.

Grammar and the Teaching of Writing: Limits and Possibilities, by Rei R. Noguchi, and Pinckert's Practical Grammar, by Robert C. Pinckert. Composition Studies/Freshman English News 20.1 (1992): 109-10.

Mozart's Operas, by Daniel Heartz. The Opera Quarterly 8.3 (1991): 103-05. Mozart Commemorative Issue.

The Methodical Memory: Invention in Current-Traditional Rhetoric, by Sharon Crowley. Freshman English News 19.2 (1991): 30.

Richards on Rhetoric: Selected Essays (1929-1974), ed. Ann E. Berthoff. Freshman English News 19.2 (1991): 32.

Richard Strauss: Salome, ed. Derrick Puffett. Cambridge Opera Handbook. The Opera Quarterly 8.1 (1991): 103-05.

The Writing Teacher as Researcher: Essays in the Theory and Practice of Class-Based Research, ed. Donald A. Daiker and Max Morenberg. Freshman English News 19.1 (1991): 29.

Opera, or the Undoing of Women, by Catherine Clément. The Opera Quarterly 7.2 (1990): 137-39.

Rhetorical Thought in John Henry Newman, by Walter Jost. Freshman English News 18.2 (1990): 31.

Reading Opera, ed. Roger Parker and Arthur Groos. The Opera Quarterly 6.4 (1989): 85-87.

The Great Caruso, by Michael Scott. The Opera Quarterly 6.3 (1989): 102-03.

Opera for a New Republic: The "Zeitopern" of Krenek, Weill, and Hindemith, by Susan C. Cook. The Opera Quarterly 6.2 (1988/89): 97-99.

Opera and the Uses of Language: Mozart, Verdi, and Britten, by Sandra Corse. The Opera Quarterly 6.1 (1988): 98-99.

The Unknown Puccini, by Michael Kaye. The Opera Quarterly 5.4 (1987/88): 87-89.

Giuseppe Verdi: His Life and Works, by Francis Toye. The Opera Quarterly 5.2-3 (1987): 127-29. Verdi Commemorative Issue.

The Britten Companion, ed. Christopher Palmer. The Opera Quarterly 4.3 (1986): 125-28. Britten Commemorative Issue.

Otello, by Giaochino Rossini. The Opera Quarterly 17 (2001): 136-41.

Harvey Milk, by Stewart Wallace. The Opera Quarterly 16 (2000): 711-15. Special Issue: "Opera in the New Millennium."

Betrothal in a Monastery (2 recordings), by Sergei Prokofiev. The Opera Quarterly 16 (2000): 319-22.

Billy Budd, by Benjamin Britten. The Opera Quarterly 16 (2000): 153-56.

Daphne (3 recordings), by Richard Strauss. The Opera Quarterly 15 (1999): 568-74. Strauss Commemorative Issue.

Fennimore und Gerda, by Frederick Delilus. The Opera Quarterly 15 (1999): 350-53.

La Dueña, by Roberto Gerhard. The Opera Quarterly 14.4 (1998): 159-63.

Il campanello di notte, by Gaetano Donizetti. The Opera Quarterly 14.3 (1998): 161-63. Donizetti Commemorative Issue.

A Midsummer Night's Dream, by Benjamin Britten. The Opera Quarterly 14.2 (1997/98): 172-75.

Idomeneo, by Wolfgang Amadeus Mozart. The Opera Quarterly 14.1 (1997): 169-72.

Giustino, by George Frideric Handel. The Opera Quarterly 13.2 (1996/97): 143-45.

Peter Grimes (videotape), by Benjamin Britten. The Opera Quarterly 13.1 (1996): 97-99.

Six Characters in Search of an Author, by Hugo Weisgall. The Opera Quarterly 12.2 (1995/96): 149-52.

The Wreckers, by Ethel Smyth. The Opera Quarterly 12.2 (1995/96): 144-47.

Enrico, by Manfred Trojahn. The Opera Quarterly 12.1 (1995): 184-86.

The Olympians, by Arthur Bliss. The Opera Quarterly 11.2 (1995): 207-09.

The Beggar's Opera, Gloriana, and Owen Wingrave, by Benjamin Britten. The Opera Quarterly 11.1 (1994): 168-73.

Il bravo, by Saverio Mercadante. The Opera Quarterly 10.4 (1994): 131-33.

The Bohemian Girl, by Michael William Balfe. The Opera Quarterly 10.3 (1994): 191-94.

Montezuma, by Antonio Vivaldi. The Opera Quarterly 10.2 (1993/94): 198-200.

Chérubin, by Jules Massenet. The Opera Quarterly 10.2 (1993/94): 195-97.

La donna del lago (2 recordings), by Giaochino Rossini. The Opera Quarterly 9.4 (1993): 228-32. Rossini Commemorative Issue.

Otello, by Giaochino Rossini. The Opera Quarterly 9.4 (1993): 201-04. Rossini Commemorative Issue.

La donna del lago (videotape), by Giaochino Rossini. The Opera Quarterly 9.4 (1993): 151-52. Rossini Commemorative Issue.

Otello (videotape), by Giaochino Rossini. The Opera Quarterly 9.4 (1993): 139-40. Rossini Commemorative Issue.

Les Indes galantes, by Jean-Philippe Rameau. The Opera Quarterly 9.3 (1993): 168-70.

Idomeneo, by Wolfgang Amadeus Mozart. The Opera Quarterly 9.2 (1992): 144-45.

Idomeneo (six recordings), by Wolfgang Amadeus Mozart. The Opera Quarterly 8.3 (1991): 164-68. Mozart Commemorative Issue.

The Turn of the Screw, by Benjamin Britten. The Opera Quarterly 8.2 (1991): 169-70.

Selma Kurz (historical recordings). The Opera Quarterly 7.3 (1990): 197-99.

Noye's Fludde, by Benjamin Britten. The Opera Quarterly 7.3 (1990): 181-82.

La dame blanche, by François Adrien Boieldieu. The Opera Quarterly 7.1 (1990): 218-20.

Paul Bunyan, Albert Herring, and Billy Budd, by Benjamin Britten. The Opera Quarterly 7.1 (1990): 201-04.

Il corsaro, by Giuseppe Verdi. The Opera Quarterly 5.2-3 (1987): 189-90. Verdi Commemorative Issue.

I due Foscari, by Giuseppe Verdi. The Opera Quarterly 5.2-3 (1987): 177-179. Verdi Commemorative Issue.

Idomeneo, by Wolfgang Amadeus Mozart. The Opera Quarterly 5.1 (1987): 153-55.

Undine, by E.T.A. Hoffmann. The Opera Quarterly 4.4 (1986/87): 102-04.

Death in Venice, by Benjamin Britten. The Opera Quarterly 4.3 (1986): 184-86. Britten Commemorative Issue.

Falstaff, by Antonio Salieri. The Opera Quarterly 4.2 (1986): 116-18.

Il barbiere di Siviglia, by Giovanni Paisiello. The Opera Quarterly 4.1 (1986): 154-56.

Snegurochka, by Nikolai Rimsky-Korsakov. The Opera Quarterly 3.4 (1985/86): 116-17.

Elektra, by Richard Strauss. The Opera Quarterly 3.4 (1985/86): 98-100.

Jephtha (2 recordings), by George Frideric Handel. The Opera Quarterly 3.3 (1985): 215-18. Handel/Berg Commemorative Issue.

Turandot (3 recordings), by Giacomo Puccini. The Opera Quarterly 2.3 (1984): 215-18. Puccini Commemorative Issue.