
CV
PUBLICATIONS
Book Reviews (Hispanic studies)
Peter Pierson, The History of Spain (Westport, CT: Greenwood
Press, 1999). Hispania 83.2 (2000): 255-256.
Rafael Lapesa, De Berceo a Jorge Guillén (Madrid: Gredos,
1997). Hispania 82.4 (1999): 768-769.
Jacques Issorel, ed., Crepúsculos pisando: Once estudios sobre
las “Soledades” de Luis de Góngora (Perpignan,
France: Presses Universitaires de Perpignan, 1995). Hispanic Review
66.2 (1998): 218-220.
Margaret H. Persin, Recent Spanish Poetry and the Role of the Reader
(Lewisburg, Pennsylvania: Bucknell UP, 1987). Revista Canadiense de
Estudios Hispánicos 14.3 (1990): 639-642.
Diane ChaffeeSorace, Góngora’s Poetic Textual Tradition
(London: Tamesis, 1989). Journal of Hispanic Philology, 14.1
(1989): 109-111.
Antonio Machado, Solitudes, Galleries, and Other Poems, trans.
Richard L. Predmore (Durham: Duke UP, 1987). Revista Canadiense de
Estudios Hispánicos 14.1 (1989): 191-192.
Marcia Welles, Arachne’s Tapestry: Transformations of Myth
in Golden Age Spain (San Antonio: Trinity UP, 1987). Journal
of Hispanic Philology 12.2 (1987): 66-68.
Lamadrid, Enrique R. and Valle, Mario del, eds., Un ojo en el muro
/ An Eye Through the Wall: Mexican Poetry, 1970-1985. Santa Fe: Tooth
of Time, 1986). Hispania 70.4 (1987): 822-823.
Roberto Sosa, Poems by Roberto Sosa, trans. Edward V. Coughlin
(York, South Carolina, Spanish Literature Publications, 1984). Hispania
69.1 (1986): 123-124.
Edith Randam Rogers, The Perilous Hunt: Symbols in Hispanic and European
Balladry (Lexington: UP of Kentucky, 1980). MLN 97.2 (1982):
429-431.
Antonio Rodríguez de Moñino, ed., Los poetas extremeños
del siglo XVI: Estudios bibliográficos (Badajoz-Caceres: Diputación
Provincial de Badajoz, 1980). Hispania 65.4 (1982): 323-325.
B. W. Ife, ed., Dos versiones de Píramo y Tisbe: Jorge de
Montemayor y Pedro Sánchez de Viana (Exeter, England: University
of Exeter, 1974). MLN 92.2 (1977): 370-373.
N. D. Shergold, ed., Studies of the Spanish and Portuguese Ballad
(London: Tamesis, 1972). MLN 90.2 (1975): 322-323.
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